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Paul Fejos pulled out all the stops for this lovely New York City symphony set in antic Coney Island during the Fourth of July weekend-employing color tinting, superimposition effects, experimental editing, and a roving camera (plus three dialogue scenes, added because of the craze for talkies). Rarer still are the two other Fejos films included in this release: The Last Performance (featuring a new score by Donald Sosin) and a reconstruction of the previously incomplete sound version of Broadway, in its time the most expensive film ever produced at Universal