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Two strangers (Arletty and Alain Cuny), dressed as minstrels, arrive at a castle in advance of court festivities-and it is revealed that they are actually emissaries of the devil himself, dispatched to spread heartbreak and suffering. Their plans, however, are thwarted by an unexpected intrusion: human love. Often interpreted as an allegory for the Nazi occupation of France, during which it was made, LES VISITEURS DU SOIR is a moving and whimsical tale of love conquering all.