Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia.
In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare.
Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and will take his literary star—even higher.
UK Praise for The Sound of Things Falling
“Vásquez shows how the personal is linked to the political… The story is compelling but through Vásquez’s vivid prose (rendered brilliantly into English by the award-winning translator Anne McLean) it also becomes haunting…. [A] poignant and perturbing tale about the inheritance of fear in a country scrabbling to regain its soul.” – Financial Times
“[C]ompelling, beautifully translated…. [E]lucidates with great acuity the complex relationship between memory and trauma… In this hugely affecting novel, it is the silent suffering that haunts the most…. Engrossing…. Vásquez holds his tightly crafted narrative together with admirable stylistic control as he shows a world falling apart and the redemptive powers of love and language to rebuild it.” – The Guardian
""The Sound of Things Falling, which won Spain's Alfaguara prize last year, focuses on the bewilderment and fear of a society corrupted and taken over by stealth. It confirms Vásquez's mastery of a sophisticated form of Latin American literary noir that leads the reader through Borgesian labyrinths. In navigating them, with guiding lights ranging from Conrad to Le Carré, his fiction also reveals the role of outsiders in a violent history…. [T]his novel affords a rare understanding of the inhuman costs on the other side.” – The Guardian
“Vasquez brings vividly to life that grey, isolated, landlocked city in the mountains where suspicion and fear ruled the streets for so many years.” – The Daily Mail (UK)
Praise for Juan Gabriel Vasquez
""From the opening paragraph of The Informers, I felt myself under the spell of a masterful writer. Juan Gabriel Vásquez has many gifts—intelligence, wit, energy, a deep vein of feeling—but he uses them so naturally that soon enough one forgets one's amazement at his talents, and then the strange, beautiful sorcery of his tale takes hold.”—Nicole Krauss
“Juan Gabriel Vásquez is one of the most original new voices of Latin American literature. His first novel, The Informers, a very powerful story about the shadowy years immediately following World War II, is testimony to the richness of his imagination as well as the subtlety and elegance of his prose.”—Mario Vargas Llosa
“What Vásquez offers us, with great narrative skill, is that grey area of human actions and awareness where our capacity to make mistakes, betray, and conceal creates a chain reaction which condemns us to a world without satisfaction. Friends and enemies, wives and lovers, parents and children mix and mingle angrily, silently, blindly, while the novelist uses irony and ellipsis to unmask his characters’ “self-protective strategies” and goes with them – not discovering them, simply accompanying them – as they come to understand that an unsatisfactory life can also be the life they inherit.”—Carlos Fuentes
“For anyone who has read the entire works of Gabriel García Márquez and is in search of a new Colombian novelist, then Juan Gabriel Vásquez's The Informers is a thrilling new discovery.”—Colm Tóibín
“A fine and frightening study of how the past preys upon the present, and an absorbing revelation of a little-known wing of the theatre of the Nazi war.”—John Banville
Praise for The Secret History of Costaguana
“An intricately detailed, audacious reframing of Nostromo, the classic 1904 Joseph Conrad tale of power, corruption, intrigue and revolution in a South American country he called Costaguana. The Secret History of Costaguana is a potent mixture of history, fiction and literary gamesmanship. Vásquez's themes are of the moment: powerful countries (the U.S. foremost among them) dabbling in Latin American politics, bribing politicians and journalists, trolling for profits; European writers appropriating history for their own tales. His particular triumph with this novel is to remind us, as Balzac put it, that novels can be ‘the private histories of nations.’”—Los Angeles Times
“[An] exceptional new novel…When Mr. Vásquez, like Conrad, focuses on the individuals trapped in these national tragicomedies, he displays a keen emotional and moral awareness. The Secret History of Costaguana is a cunning tribute to a classic, but it also stands on its own merits as a dense and involving story about men who are either manipulating history or finding themselves at the barrel-end of it.” – Wall Street Journal
[A] post-modern literary revenge story.”—The New York Times
Praise for The Informers
""[A] remarkable novel. It deals with big universal themes... It is the best work of literary fiction to come my way since 2005…and into the bargain it is immensely entertaining, with twists and turns of plot that yield great satisfaction. – Jonathan Yardley, The Washington Post
“One hallmark of a gifted novelist is the ability to see the potential for compelling fiction in an incident, anecdote or scrap of history, no matter how dry or seemingly obscure, that others have overlooked. By that standard and several others, the career of Juan Gabriel Vásquez…is off to a notable start.…[A] straight-ahead, old-fashioned narrative… Two years ago Mr. Vásquez was included on a list of the most ‘important’ Latin American writers under 40, nominated by more than 2,000 authors, literary agents, librarians, editors and critics. The Informers alone justifies their choice, given its challenging subject and psychological depth, but clearly there are bigger and even more intriguing things on the way.”— Larry Rohter, The New York Times
“Chilling…The past is a shadow-bound, elusive creature in [The Informers]… When pursued it may flee, or, if cornered, it may unleash terr