Max Hastings is the author of more than twenty books, most recently Inferno: The World at War, 1939–1945. He spent his early career as a foreign correspondent for BBC TV and various newspapers, then as editor of Britain’s Evening Standard and Daily Telegraph. He has received numerous awards for both his books and his journalism. He lives in the English countryside west of London.
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Winston Churchill wrote afterwards: ‘No part of the Great War compares in interest with its opening. The measured, silent drawing together of gigantic forces, the uncertainty of their movements and positions, the number of unknown and unknowable facts made the first collision a drama never surpassed. Nor was there any other period in the War when the general battle was waged on so great a scale, when the slaughter was so swift or the stakes so high. Moreover, in the beginning our faculties of wonder, horror and excitement had not been cauterized and deadened by the furnace fires of years.’ All this was so, though few of Churchill’s fellow participants in those vast events embraced them with such eager appetite.
In our own twenty-first century, the popular vision of the war is dominated by images of trenches, mud, wire and poets. It is widely supposed that the first day of the 1916 Battle of the Somme was the bloodiest of the entire conflict. This is not so. In August 1914 the French army, advancing under brilliant sunshine across a virgin pastoral landscape, in dense masses clad in blue overcoats and red trousers, led by officers riding chargers, with colours flying and bands playing, fought battles utterly unlike those that came later, and at even more terrible daily cost. Though French losses are disputed, the best estimates suggest that they suffered well over a million casualties in 1914’s five months of war, including 329,000 dead. One soldier whose company entered its first battle with eighty-two men had just three left alive and unwounded by the end of August.
The Germans suffered 800,000 casualties in the same period, including three times as many dead as during the entire Franco-Prussian War. This also represented a higher rate of loss than at any later period of the war. The British in August fought two actions, at Mons and Le Cateau, which entered their national legend. In October their small force was plunged into the three-week nightmare of the First Battle of Ypres. The line was narrowly held, with a larger French and Belgian contribution than chauvinists acknowledge, but much of the old British Army reposes forever in the region’s cemeteries: four times as many soldiers of the King perished in 1914 as during the three years of the Boer War. Meanwhile in the East, within weeks of abandoning their harvest fields, shops and lathes, newly mobilised Russian, Austrian and German soldiers met in huge clashes; tiny Serbia inflicted a succession of defeats on the Austrians which left the Hapsburg Empire reeling, having by Christmas suffered 1.27 million casualties at Serb and Russian hands, amounting to one in three of its soldiers mobilised.
Many books about 1914 confine themselves either to describing the political and diplomatic maelstrom from which the armies flooded forth in August, or to providing a military narrative. I have attempted to draw together these strands, to offer readers some answers, at least, to the enormous question: ‘What happened to Europe in 1914?’ Early chapters describe how the war began. Thereafter, I have traced what followed on the battlefields and behind them until, as winter closed in, the struggle lapsed into stalemate, and attained the military character that it retained, in large measure, until the last phase in 1918. Chri“The political and chattering classes are right to be worried: if any region today could cause a crisis comparable to that of 1914, it is the Middle East. They need a new book on the outbreak of World War I, and now they have it in Catastrophe 1914: Europe Goes to War. [Hastings is] an outstanding historian . . . a victorious foray . . . Tuchman has been supplanted.”
—Hew Strachan, The New York Times
“[World War I’s] centennial is almost upon us. Among the resulting flood of books, it’ll be hard to find one better than this early entry . . . absorbing and compulsively readable . . . Like an eagle soaring over this vast terrain, Hastings swoops in and out, spying broad features and telling details alike . . . superb.”
—Alan Cate, The Cleveland Plain Dealer
“Hastings over the past two decades has become the contemporary premier historian of 20th-century war . . . The real strength of this story is how Mr. Hastings portrays the principal characters, not as stereotyped tyrants, greedy empire builders or mindless militarists, but rather as very real human beings with as many flaws as virtues . . .Will the past be prologue? Get this book.”
—James Srodes, Washington Times
“Hastings argues persuasively that the war's opening phase had a unique character that merits closer study . . . Hastings ends his deft narrative and analysis by observing that the price of German victory would have been European democracy itself. Those who died to prevent that victory—despite the catastrophic decisions of 1914—did not die in vain.”
—William Anthony Hay, The Wall Street Journal
“Hastings makes a very complicated story understandable in a way that few serious history books manage. An ideal entry into World War I history.”
—Michael Farrell, Library Journal