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Books  >>  History

Scott Miller

The President and the Assassin

Scott Miller The President And The Assassin Mckinley Terror And Empire At The Dawn Of The A
$12.60 New
 
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Biographical note:

As a correspondent for The Wall Street Journal and Reuters news agency, Scott Miller spent nearly two decades in Asia and Europe, reporting from more than twenty-five countries. His articles—covering fields as varied as the Japanese economic collapse, the birth of a single European currency, French culinary traditions, and competitive speed knitting—have also appeared in The Washington Post and the Far Eastern Economic Review, among others. He has been a contributor to CNBC and Britain’s Sky News. Miller holds a master’s degree in international relations from the University of Cambridge and now lives in Seattle with his wife and two daughters.

Country of final manufacture:

US

Excerpt from book:

1

TEMPLE OF MUSIC

They streamed among the manicured flower beds and dewy lawns of Delaware Park that early September morning in Buffalo, New York, a portrait of America in the Gilded Age. Women in full-length skirts and tight-fitting corsets in the fashion of the iconic Gibson Girl shaded themselves with parasols. The men, seeking relief from the sun with jauntily perched straw boaters, fingered coins deep in their pockets, confident in their jobs. Children in sailor suits skipped and laughed and pulled their parents along as fast as they could. The smoky aroma of grilling bratwurst, the echo of chirping piccolos and booming tubas, the bellow of an elephant, all signaled they had nearly reached the grounds of the Pan-American Exposition of 1901.

As the crowds drew nearer, a series of pillars, each topped with a horse and rider, could be discerned through the trees. Beyond them stood massive domed buildings in red and yellow, preceded by the stout Triumphal Bridge. The view was capped by the signature structure of the Expo, the 389-foot-high Electric Tower, lit with power generated by Niagara Falls twenty-five miles away. John M. Carrère, the Expo's lead architect, had carefully orchestrated the scene so that "the spectator, as he approaches the Exposition, will see it develop gradually until he reaches the Bridge, when the entire picture will appear before him and almost burst upon him." Once inside the 350-acre park, visitors marveled at every sort of attraction: a mock Japanese village, a Trip to the Moon exhibit where midgets served green cheese, and, of course, the pachyderm, a nine-ton specimen decorated by Queen Victoria for its service with the British army in Afghanistan.

This was an especially exciting day. The Buffalo papers were reporting that William McKinley, beloved president of the United States, would meet members of the public at the Temple of Music at 4 p.m. The previous day, a record 116,000 people had crowded through the gates to see him deliver what many considered one of his finest speeches, and the prospect of actually exchanging a handshake or a brief word was an experience not to be missed. Such one-on-one encounters were a favorite of the president. Meeting with people individually, he projected a natural sincerity and warmth. So much time did McKinley spend in receiving lines that he perfected his own handshake, the "McKinley grip," to prevent cramping. When confronted with a long reception line, he made a point of extending his hand first and clasping the other's fingers so he couldn't be squeezed back. Then he would grab hold of his visitor's elbow with his left hand and deftly move him along, clocking up to fifty people a minute. "Everyone in that line has a smile and a cheery word," he once said. "They bring no problems with them; only good will. I feel better after the contact."

But plans for this particular meet-and-greet had left McKinley's staff feeling uneasy. The event had been well publicized and raised serious security issues. George B. Cortelyou, the president's personal secretary, had twice removed the Temple of Music reception from McKinley's sch“[A] panoramic tour de force . . . Miller has a good eye, trained by years of journalism, for telling details and enriching anecdotes.”—The Washington Independent Review of Books
 
“Even without the intrinsic draw of the 1901 presidential assassination that shapes its pages, Scott Miller’s The President and the Assassin [is] absorbing reading. . . . What makes the book compelling is [that] so many circumstances and events of the earlier time have parallels in our own.”—The Oregonian
 
“A marvelous work of history, wonderfully written.”—Fareed Zakaria, author of The Post-American World
 
“A real triumph.”—BookPage
 
“Fast-moving and richly detailed.”—The Buffalo News
 
“[A] compelling read.”—The Boston Globe
 
One of Newsweek’s 10 Must-Read Summer Books


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