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In the late 1940s, the incandescent Hollywood star Ingrid Bergman (Casablanca) found herself so moved by the revolutionary neorealist films of Roberto Rossellini (Rome Open City) that she sent the director a letter, introducing herself and offering her talents. The resulting collaboration produced a series of films that are works of both sociopolitical concern and metaphysical melodrama, each starring Bergman as a woman experiencing physical dislocation and psychic torment in postwar Italy. Films included are "Stromboli," "Journey to Italy" and "Europe 51."