David Downing grew up in suburban London. He is the author of six books in the John Russell espionage series, set in WWII Berlin: Zoo Station, Silesian Station, Stettin Station, Potsdam Station, Lehrter Station, and Masaryk Station. He lives with his wife, an American acupuncturist, in Guildford, England.
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At the foot of the hill, Tsingtau’s Government House stood alone on a slight mound, its gabled upper-floor windows and elegant corner tower looking out across the rest of the town. Substantial German houses with red-tiled roofs peppered the slope leading down to the Pacific beach and pier; beyond them the even grander buildings of the commercial district fronted the bay and its harbors. Away to the right, the native township of Taipautau offered little in the way of variety—the houses were smaller, perhaps a bit closer together, but more European than classically Chinese. In less than two decades, the Germans had come, organized, and recast this tiny piece of Asia in their own image. Give them half a chance, Jack McColl mused, and they would do the same for the rest of the world.
He remembered the Welsh mining engineer leaning over the Moldavia’s rail in mid–Indian Ocean and spoiling a beautiful day with tales of the atrocities the Germans had committed in South-West Africa over the last few years. At least a hundred thousand Africans had perished. Many of the native men had died in battle; most of the remainder, along with the women and children, had been driven into the desert, where some thoughtful German had already poisoned the water holes. A few lucky ones had ended up in concentration camps, where a doctor named Fischer had used them for a series of involuntary medical experiments. Children had been injected with smallpox, typhus, tuberculosis.
The white man’s burden, as conceived in Berlin. McColl had passed two descending Germans on his way up the hill, but the well-kept viewing area had been empty, and there was no sign of other sightseers below. To the east the hills rose into a jagged horizon, and the earthworks surrounding the 28-centimeter guns on Bismarck Hill were barely visible against the mountains beyond. Some magnification would have helped,
but an Englishman training binoculars on foreign defenses was likely to arouse suspicion, and from what he’d seen so far, the guns were where the Admiralty had thought they would be. There was some building work going on near the battery that covered Auguste-Victoria Bay, but not on a scale that seemed significant. He might risk a closer look early one morning, when the army was still drilling.
The East Asia Squadron was where it had been the day before—Scharnhorst and Emden sharing the long jetty, Gneisenau and Nürnberg anchored in the bay beyond. Leipzig had been gone a week now—to the Marianas, if his Chinese informer was correct. Several coalers were lined up farther out, and one was unloading by the onshore wharves, sending occasional clouds of black dust up into the clear, cold air.
These ships were the reason for his brief visit, these ships and what they might do if war broke out. Their presence was no secret, of course—the local British consul probably played golf with the admiral in command. The same consul could have kept
the Admiralty informed about Tsingtau’s defenses and done his best to pump his German counterpart for military secrets, but of course he hadn’t. Such work was considered ungentlemanly by the fools who ran the Foreign Office and staffed its embassies—not that long ago a British military attaché had refused to tell his employers in London what he’dPraise for David Downing's John Russell World War II Thriller series
"Epic in scope, Mr. Downing's "Station" cycle creates a fictional universe rich with a historian's expertise but rendered with literary style and heart."
—The Wall Street Journal
“A beautifully crafted and compelling thriller with a heart-stopping ending ... An unforgettable read.”
—Charles Todd, author of the Inspector Ian Rutledge Series
"One of the most intelligent and persuasive realizations of Germany immediately before the war."
—Wall Street Journal
"Downing's outstanding evocation of the times (as masterly as that found in Alan Furst's novels or Philip Kerr's Bernie Gunther series), thematic complexity (as rich as that of John le Carré), and the wide assortment of fully rendered characters provide as much or more pleasure than the plot, where disparate threads are tied together in satisfying and unexpected ways."
—Library Journal, Starred Review
“Downing is brilliant at weaving history and fiction.... equally clever and unexpected.”
—Toronto Globe and Mail