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Elizabeth George

Just One Evil Act

Elizabeth George Just One Evil Act
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Biographical note:

Elizabeth George is the New York Times bestselling author of numerous suspense novels, one book of nonfiction, and two short story collections. Her work has been honored with the Anthony Award, the Agatha Award, and France’s Le Grand Prix de Littérature Policière. She lives in Washington State.

Recent Inspector Thomas Lynley novels include: Believing the Lie, This Body of Death, Careless in Red, What Came Before He Shot Her, With No One as Witness, A Place of Hiding, and A Traitor to Memory.

Excerpt from book:

**This excerpt is from an advance uncorrected proof.**

The world is still deceived with ornament. In law, what plea so tainted and corrupt But, being season’d with a gracious voice, Obscures the show of evil?

The Merchant of Venice

15 NOVEMBER

 

EARLS COURT
LONDON


Sitting on a plastic chair inside Brompton Hall among a crowd of two hundred shouting individuals—all dressed in what had to be called alternative garb—was the last thing Thomas Lyn­ley had ever expected to find himself doing. Edgy music was blasting from speakers the size of a tower block on Miami Beach. A food stall was doing a very brisk business in hot dogs, popcorn, lager, and soft drinks. A female announcer was periodically shrieking above the din to call out scores and name penalties. And ten helmeted women on roller skates were racing round a flat ring delineated with tape on the concrete floor.

It was supposed to be an exhibition match only: something to educate the populace in the finer points of women’s flat track roller derby. But it was a case of tell-that-to-the-players, for the women engaged in the bout were deadly serious.

They had intriguing names. All of them were printed, along with suitably menacing photos, in the programmes that had been distrib­uted as spectators took their seats. Lynley had chuckled as he’d read each nom de guerre. Vigour Mortis. The Grim Rita. Grievous Bodily Charm.

He was there because of one of the women, Kickarse Electra. She skated not with the local team—London’s the Electric Magic—but rather with the team from Bristol, a savage-looking group of females who went by the alliterative collective Boadicea’s Broads. Her actual name was Daidre Trahair, she was a large animal veterinarian em­ployed at Bristol’s zoo, and she had no idea that Lynley was among the howling mass of spectators. He wasn’t sure if he was going to keep matters that way. He was, at this point, operating strictly by feel.

He had a companion with him, having lacked the courage to ven­ture into this unknown world on his own. Charlie Denton had ac­cepted his invitation to be enlightened, educated, and entertained at Earls Court Exhibition Centre, and at this moment, he was milling among the crowd at the snack stall.

He’d made the declaration of “It’s on me, m’lord . . . sir,” with that final word a hasty correction that one would think by now he’d not even have to make. For he’d been seven years in Lynley’s employ, and when he wasn’t addressing his passion for the stage through auditions for various theatrical events in Greater London, he served as manser­vant, cook, housekeeper, aide-de-camp, and general factotum in Lyn­ley’s life. He’d so far managed Fortinbras in a north London production, but the West End north London was not. So he soldiered on in his double life, determinedly believing that his Big Break was only round the next corner.

Now, he was amused. Lynley could see that in Denton’s fac

Praise for the #1 New York Times Bestseller Believing the Lie:

“A multiplicity of subplots and a richness of physical detail....The story strands are untied and retied in satisfying and often moving ways.”—The Wall Street Journal

“[Lynley’s] back in fine form....George has given us a story filled with sex, grit, love, and everything in between.”—The Gazette (Montreal)

“A clever story with fascinating subplots.”—Richmond Times-Dispatch

“Masterly…an intricate crime drama.”—Marie Claire

Praise for Elizabeth George:

“A master of the English mystery.”—The New York Times

“It’s tough to resist George’s storytelling, once hooked.”—USA Today

“A superstar of the crime-fiction world…deservedly so.”—The Seattle Times

“A writer of immense power, keen intelligence, and profound sensitivity.”—Richmond Times-Dispatch


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