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Jenny Offill

Dept. of Speculation

Jenny Offill Dept. Of Speculation
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Series:

Vintage Contemporaries

Biographical note:

Jenny Offill is the author of the novel Last Things, which was chosen as a Notable Book of the Year by The New York Times and was a finalist for the L.A. Times First Book Award. She is the coeditor, with Elissa Schappell, of two anthologies of essays, The Friend Who Got Away and Money Changes Everything. Her children’s books include 17 Things I’m Not Allowed to Do Anymore, 11 Experiments That Failed, and Sparky. She teaches in the writing programs at Queens University, Brooklyn College, and Columbia University.


From the Hardcover edition.

Country of final manufacture:

US

Excerpt from book:

There is a man who travels around the world trying to find places where you can stand still and hear no human sound. It is impossible to feel calm in cities, he believes, because we so rarely hear birdsong there. Our ears evolved to be our warning systems. We are on high alert in places where no birds sing. To live in a city is to be forever flinching.

The Buddhists say there are 121 states of consciousness. Of these, only three involve misery or suffering. Most of us spend our time moving back and forth between these three.

Blue jays spend every Friday with the devil, the old lady at the park told me.

“You need to get out of that stupid city,” my sister said. “Get some fresh air.” Four years ago, she and her husband left. They moved to Pennsylvania to an old ramshackle house on the Delaware River. Last spring, she came to visit me with her kids. We went to the park; we went to the zoo; we went to the planetarium. But still they hated it. Why is everyone yelling here?

*     *     *

He is famously kind, my husband. Always sending money to those afflicted with obscure diseases or shoveling the walk of the crazy neighbor or helloing the fat girl at Rite Aid. He’s from Ohio. This means he never forgets to thank the bus driver or pushes in front at the baggage claim. Nor does he keep a list of those who infuriate him on a given day. People mean well. That is what he believes. How then is he married to me? I hate often and easily. I hate, for example, people who sit with their legs splayed. People who claim to give 110 percent. People who call themselves “comfortable” when what they mean is decadently rich. You’re so judgmental, my shrink tells me, and I cry all the way home, thinking of it.

Later, I am talking on the phone to my sister. I walk outside with the baby on my shoulders. She reaches out, puts something in her mouth, and chokes on it. “Hold her upside down!” my sister yells. “Whack her hard on the back!” And I do until the leaf, green, still beautiful, comes out in my hand.

I develop an abiding interest in emergency precautions. I try to enlist my husband’s help in this. I ask him to carry a pocketknife and a small flashlight in his backpack. Ideally, I’d like him to have one of those smoke hoods that doubles as a parachute. (If you are rich and scared enough you can buy one of these, I have read.) He thinks I have a morbid imagination. Nothing’s going to happen, he says. But I want him to make promises. I want him to promise that if something happens he won’t try to save people, that he’ll just get home as fast as he can. He looks shaken by this request, but still I monster on about it. Leave behind the office girl and the old lady and the fat man wheezing on the stairs. Come home, I tell him. Save her.

A few days later the baby sees the garden hose come on and we hear her laughing.

All my life now appears to be one happy moment
. This is what the first man in space“Slender, quietly smashing . . . The story shifts and skitters, spare but intricate as filigree, short bursts of observation and memory—comic, startling, searing—floating in white space . . . Offill has tapped a vein directly into the experience of this marriage, this little family, this subsuming of self, and we mainline it right along with her . . . A book so radiant, so sparkling with sunlight and sorrow, that it almost makes a person gasp.”
            —Boston Globe 
 
“Breathtaking . . . Reminiscent of Renata Adler’s Speedboat but with a less bitter edge . . . Dept. of Speculation charts the course of a marriage through curious, often shimmering fragments of prose . . . Moves quickly, but it is also joyously demanding because you will want to keep trying to understand the why of each fragment and how it fits with the others . . . Offill is a smart writer with a canny sense of pacing . . . She deftly moves the novel forward with elegant shifts of point of view.”
            —The New York Times Book Review
 
“Riveting . . . Unsentimental . . . Combines eclectic minutia with a laser-like narrative of a family on the edge of dissolution . . . Paragraphs shatter, surreal details rise up and into the narrative . . . A jewel of a book, a novel as funny, honest, and beguiling as any I have read.”
            —Los Angeles Times 

“Offill’s unnamed heroine . . . has a lot in common with the narrators of [Renata Adler’s] Speedboat and [Elizabeth Hardwick’s] Sleepless Nights: she is observant and literary minded, given to seeing the odd connections (or lack of connections) among the things that make up her day-to-day life and the more subterranean thoughts that jitter around in her head. She also has a lot in common with Joan Didion’s heroines . . . A genuinely moving story of love lost and perhaps, provisionally, recovered.”
            —Michiko Kakutani, The New York Times

“Absorbing and highly readable . . . Offill has successfully met the challenge she seems to have given herself: write only what needs to be written, and nothing more. No excess, no flab. And do it in a series of bulletins, fortune-cookie commentary, mordant observations, lyrical phrasing. And through these often disparate and disconnected means, tell the story of the fragile nature of anyone’s domestic life . . . Intriguing, beautifully written, sly, and often profound.”
            —Meg Wolitzer, NPR

“Audacious . . . Hilarious . . . Dept. of Speculation reveals a raw marital reality that continues to be expunged from the pervasive narrative of marriage . . . Offill moves quickly and poetically over deeply introspective questions about long-term partnerships, parenthood, and aging . . . From deep within the interiors of a fictional marriage, Offill has crafted an account of matrimony and motherhood that breaks free of the all-too-limiting traditional stories of wives and mothers. There is a complexity to the central partnership; Offill folds cynicism into genuine moments of love. It may be difficult to truly know what happens between two people, but Offill gets alarmingly close.”
            —The Atlantic

Dept. of Speculation is a startling feat of storytelling—an intense and witty meditation on motherhood, infidelity, and identity, each line a dazzling, perfectly chiseled arrowhead aimed at y


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