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Alice McDermott

Charming Billy

Alice Mcdermott Charming Billy
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Series:

Picador Modern Classics

Biographical note:

Alice McDermott is the author of seven novels, including Someone, That Night, After This, Child of My Heart, and At Weddings and Wakes. That Night, At Weddings and Wakes, and After This were all finalists for the Pulitzer Prize. She is the Richard A. Macksey Professor for Distinguished Teaching in the Humanities at Johns Hopkins University.

Excerpt from book:

Excerpt from Charming Billy by Alice McDermott. Copyright © 1997 by Alice McDermott. To be published in December, 1997 by Farrar, Straus & Giroux, LLC. All rights reserved.


SOMEWHERE IN THE BRONX, only twenty minutes or so from the cemetery, Maeve found a small bar-and-grill in a wooded alcove set well off the street that was willing to serve the funeral party of forty-seven medium-rare roast beef and boiled potatoes and green beans amandine, with fruit salad to begin and vanilla ice cream to go with the coffee. Pitchers of beer and of iced tea would be placed along the table at intervals and the bar left open--it being a regular business day--for anyone who wanted a drink.

The place was at the end of a sloping driveway that started out as macadam but quickly diminished to dirt and gravel. There was an apron of dirt and gravel in front of the building, potholed, and on the day of the funeral filled with puddles, and the first ten cars parked here, including the black limousine Maeve had ridden in. The others parked up along the drive, first along one side, then the other the members of the funeral party walking in their fourth procession of the day (the first had been out of the church the second and third in and out of the graveyard), down the wet and rutted path to the little restaurant that, lacking only draught Guinness and a peat fire might have been a pub in rural Ireland. Or, lacking dialogue by John Millington Synge the set of a rural Irish play.

How in the world she ever found this place was a mystery despite the question being asked again and again as Billy's friends and family filed in--the women in high heels walking on tiptoe down the sloping path the men holding their wives' arms and umbrellas that had already been well soaked at the side of the grave. All of them in their church clothes giving a formal air to the gray day and the ragged border of city trees and wet weeds. All of them speculating: perhaps the undertaker had suggested the place, or someone from the cemetery. Perhaps a friend friend or relative on her side (few as they were) who knew something about the Bronx, or maybe Mickey Quinn, who had his territory up here. But Mickey Quinn denied it, shaking his head, if you can believe there's a bar in any of the five boroughs that he hasn't been to.

The place smelled slightly of mildew, understandable in this weather and with this thick (even in April) bower of trees but the red-and-green tile floor was immaculate and the wooden bar gleamed under the fluorescent light. One long table draped with white tablecloths and set for forty-nine cut diagonally across the entire length of the room. One large window showed the parking lot full of cars, the other a wood that no doubt ended at a narrow side street or a row of dumpsters behind a row of stores, but seemed from in here to be dark and endlessly deep.

Maeve sat in front of this window, at the head of the table. She wore a navy-blue dress with long, slim sleeves and a round neckline, and anyone in the room who had not thought it earlier thought now--perhaps inspired by the perfect simplicity of what she wore--that there was a kind of beauty in her ordinary looks, in her plainness. Or, if they didn't think to call it beauty, they said courage--more appropriate to the occasion and the day--not meaning necessarily her new-widow's courage (with its attendant
“This is fiction as good as it gets.”—USA Today

“A luminous and affecting novel.”—Michiko Kakutani, The New York Times

“There’s no one like Alice McDermott for catching the ebullient particulars of the Irish-American sensibility…her touch is light as a feather, her perceptions purely accurate.” —Elle

“McDermott demonstrates anew that she is a writer in a league all her own.”—People

“...a rueful shrug of a novel whose strong, shrewd opening pages should be taught in college writing classes.”—Time


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