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Before appearing in his works as a musician, Ariel Kalma seems to reveal himself as a philosopher; a solitary explorer of higher and deeper consciousness. Influenced by his relationship with Indian classical music, he transfigures the acoustic-ecstatic dimension typical of the tanpura raga by modulating synths and horns. The work reissued here originally appeared on two different cassettes in 1981 and 1982, but is ideally one unique project. With Musique Pour le Rêve et l'Amour, Kalma infinitely expands the reverberations of the flute, multiplying the nuances with phasing organ loops that recall the beginnings of Terry Riley. The second part, Music for Dream and Love, is structured like a oceanic carpet of aquatic, airy, reflective sounds; an unlimited shore from which there seem to emerge voices of celestial entities.