Bruno Littlemore is quite unlike any chimpanzee in the world. Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys -- and most affecting love stories -- in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished. The Evolution of Bruno Littlemore
goes beyond satire by showing us not what it means, but what it feels like be human -- to love and lose, learn, aspire, grasp, and, in the end, to fail.
In this account by a chimpanzee who ascends the evolutionary ladder, first-novelist Hale explores what it means to be human. Nine years into captivity after committing a murder, Bruno-24 years old, hairless, with his spine straightened by bipedal standing, and his surgically fashioned, humanoid nose-dictates his memoirs, having become proficient at speech, reading, and visual arts. His first name was given to him at Chicago's Lincoln Park Zoo where he was born, his second is taken by him from researcher Dr. Lydia Littlemore, who tests him and with whom he comes to share a home and a deep, and eventually sexual, love. Motivated by his love for Lydia and language, Bruno soon lives and functions as a human, becoming an assault on those who consider humans unique, and his blissful relationship with Lydia spawns hatred. Like his protagonist, Hale clearly loves language, using words with precision (likely to send readers to a dictionary) and for play, as when Lydia, when happy, ""chortled up the engine"" to start her car. With its exuberantly detailed sex between species and its concept that human cognizance of death leads to superstition and religion, this novel is likely to offend some readers, while others will find it holds a remarkable, riotous mirror to mankind.