“This is a fine, intelligent, and exciting story that takes us into the netherworld of contemporary North Korean communism. It evokes the gray milieu without ever overstepping its mark, allowing us to see it from the inside rather than the outside, wherein the humanity of all the characters, both good and evil, is apparent. Inspector O is a particularly wonderful creation, a true mensch attempting to hold on to his humanity in a world where humanism is under constant attack. Subtlety is the method, and the result is fantastic work that should mark the beginning of a brilliant career for James Church.”
---Olen Steinhauer, author of Liberation Movements
“For over fifty years Americans have tried to understand the world of North Korea. James Church does a better job of describing the isolated, impoverished, corrupt, and out- of-touch life in the North than anything I have seen. This novel is a must-read for anyone who would understand how precarious the dictatorship is.”
---Newt Gingrich, author of Winning Back the Future and Never Call Retreat
“A gripping story of mystery and intrigue. The laconic Inspector O follows in the traditions of Inspector Arkady Renko, operating in a world of complexity and danger we’re meeting here for the first time.”
---Don Oberdorfer, author of Tet!
“Church’s debut thriller breaks new ground. O is an original. This is an expert take on a complex, brutal, and mystifying society. Immerse yourself in it.”
---Marshall Browne, author of Eye of the Abyss and the Inspector Anders series
“The Corpse in the Koryo is a spellbinder. Bloody and chilling, yet subtle in its psychological detail, with an amazing understanding of North Korea.”
---Ezra F. Vogel, Henry Ford II Professor of the Social Sciences, Harvard University Asia Center
“The (pseudonymous) author, a veteran intelligence officer, has intimate knowledge of Asian life and politics, and it shows: He gives the North Korea setting a feeling of palpable reality, depicting the nature of daily life under a totalitarian government not just with broad sociopolitical descriptions but also with specific everyday details. . . . There is also a little of Martin Cruz Smith’s early Arkady Renko novels here. The writing is superb, too, well above the level usually associated with a first novel, richly layered and visually evocative.”
---Booklist (starred review)
